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The Yale University Art Gallery maps the surviving work of Moshood Olusomo Bamigboye, a Nigerian sculptor, in his 50-year career bridging ritual and modern art. Attention is long overdue, Holland Cotter writes in his Critic’s Pick review of the exhibition. nyti.ms/3gd5CYl

The Yale University Art Gallery maps the surviving work of Moshood Olusomo Bamigboye, a Nigerian sculptor, in his 50-year career bridging ritual and modern art. Attention is long overdue, Holland Cotter writes in his Critic’s Pick review of the exhibition. nyti.ms/3gd5CYl
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